Interjection Calendar
The Interjection Calendar is an online project, devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. The PDF can be downloaded for free and there are 12 releases per year, in line with the calendar theme. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works. The calendar reflects the current importance of online content media, pushing image/text relationships in this domain through contemporary art writing.

2025/11 Eileen Myles – Rot/We’re Not Done

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Cuthwulf Eileen Myles (they/them, b. 1949) is a poet, novelist and art journalist widely known for their practice of vernacular first-person writing across genres. They are the author of 25 books, including Chelsea Girls. Pathetic Literature and a Working Life (poems). Forthcoming from Fonograf in April 26 is Birdwatching, a long unpublished poem from 1978 plus three early books. They live in New York & in Marfa, TX.

2025/10 Bishwadhan Rai – Internal Notes

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Bishwadhan Rai (b. 1999, Sunsari, Nepal) is an artist who lives and works. He is preoccupied with making a diagram of a feeling. His work records affect, memory, or atmosphere, valuing the vulnerable, incomplete, slight, and poetic as a form of rigour.

Currently the Sainsbury Scholar in Fine Arts at British School of Rome, he recently completed a Postgraduate Diploma at Royal Academy Schools, and previously studied BA Fine Art at Slade School of Fine Art, UCL.

2025/09 Raheel Khan – Expensive Sh-it

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Raheel Khan is an artist and composer whose practice interrogates and responds to belief systems, social phenomena, and policy - particularly those that seem suspended or emerging only to become obsolete. Khan’s presentations focus on dissecting objects, infrastructures, materials, instruments, frequencies, and text, reconfiguring them through a compositional and research framework he calls ‘machine noise, devotional loops, and acoustic pressure.'

Originally a student in Economics, Khan’s move towards a creative practice has seen his recent work presented at Bold Tendencies, London, and Nottingham Contemporary, Nottingham. He is currently a resident at Somerset House Studios, developing a performance for the Assembly music series, and artist-in-residence at iniva, where he is working towards a performance commission at Camden Art Centre. His debut institutional solo exhibition will open at Goldsmiths CCA on Thursday October 23rd.

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