Interjection Calendar
The Interjection Calendar is an online project, devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. The PDF can be downloaded for free and there are 12 releases per year, in line with the calendar theme. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works. The calendar reflects the current importance of online content media, pushing image/text relationships in this domain through contemporary art writing.

2026/04 Wu MeiChi – Paghamon ng pag ibig Challenge of Love

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Wu MeiChi is a photography artist whose practice combines color still life, staged photography, and experiments with light and reflection. Her series 'XYX – A Moveable Feast' (2017) and 'YXX – The Flares' (2019) construct geometric images through light and reflection, exploring the “box” as a conceptual space where materiality and perception intersect. In recent years, her work has expanded into socially engaged and cross-disciplinary practices, including King Wan Wan Shopping Mall and collage-based interventions, reflecting on public life and collective experience. For Wu, collage functions as a method of linking images and social fragments. Her work has been exhibited internationally, including at Huis Marseille, Jimei x Arles, and Each Modern.

吳美琪為攝影藝術家,創作結合色彩靜物、編導式攝影與光影實驗,透過日常物件與反射構築影像。代表作《XYX-A Moveable Feast》(2017)與《YXX-The Flares》(2019)以光與幾何探討「盒子」中物質、反射與感知的交織。近年創作延伸至社會參與與跨媒材實踐,如《金萬萬商城》與拼貼介入計畫,關注公共生活與集體經驗。其作品將拼貼視為連結影像與社會的方式。曾於阿姆斯特丹胡斯馬賽博物館、集美·阿爾勒攝影季與亞紀畫廊等地展出。

2026/03 Pearamon Tulavardhana – Admin Reveal!: How I Got Sued for Putting Memes in My Critique

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Pearamon Tulavardhana (b.1994) is a writer and independent curator based in Bangkok with a research interest in mythology, spirituality, and indigenous folklore as well as the relationship between technology and culture, mainly image-making and community-building. She graduated with a Master of Arts in Museum Studies and Curatorial Practice from Nanyang Technological University, Singapore. Formerly a gallery manager at Gallery VER, Bangkok, from 2018-2024, she currently works independently as a curator, editor, writer, and critic. Her alias, memeseumofcontemporaryartbkk, is an internet meme account that criticizes the art world, especially in Thailand. Her writings are published in Thai and English, including in media such as Artreview Asia, the Momentum, Way Magazine, and Thairath Newspaper.

พีรมณฑ์ ตุลวรรธนะ (เกิด พ.ศ. 2537) เป็นนักเขียนและภัณฑารักษ์อิสระที่พำนักอยู่ในกรุงเทพฯ เธอมีความสนใจเกี่ยวกับตำนาน ความเชื่อ จิตวิญญาณ และคติชนวิทยาของกลุ่มชาติพันธุ์ รวมถึงความสัมพันธ์ระหว่างเทคโนโลยีและวัฒนธรรม โดยเฉพาะในด้านการสร้างสรรค์ภาพ เธอสำเร็จการศึกษาระดับปริญญาโท ศิลปศาสตร์บัณฑิต สาขา Museum Studies and Curatorial Practice ที่ Nanyang Technological University ก่อนหน้านี้เคยดำรงตำแหน่งผู้จัดการการหอศิลป์ แกลเลอรี่ เว่อร์ กรุงเทพฯ ตั้งแต่ปี พ.ศ. 2561-2567 ปัจจุบันทำงานอิสระในฐานะภัณฑารักษ์ บรรณาธิการ นักเขียน และนักวิจารณ์ นามแฝงของเธอ memeseumofcontemporaryartbkk เป็นตัวตนบนอินเทอร์เน็ตที่วิพากษ์วิจารณ์วงการศิลปะด้วยมีมและมุกตลก โดยเฉพาะในประเทศไทย งานเขียนของเธอได้รับการตีพิมพ์ทั้งภาษาไทยและภาษาอังกฤษในสื่อต่างๆ เช่น Artreview Asia, the Momentum, Way Magazine และหนังสือพิมพ์ไทยรัฐ

Email: Pearamon.tul@gmail.com IG: @spicydudette / @memeseumofcontemporaryartbkk

2026/02 Cole Lu – How Does The Voice Travel?

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Cole Lu (b. Taipei) lives and works in New York. Working across sculpture, installation, drawing, and writing, Lu’s practice explores myth, memory, and the architectures of displacement. His work engages material translation through wood burning, fire, linen, copper, found objects, and concrete, activating poetics of survival, orientation, and coded refusal. Language operates not only as text but as texture, carving lexicons into matter and myth into structure.

Lu has presented solo and two-person exhibitions at the Institute of Contemporary Art at MECA (Portland), Herald St (London), Each Modern (Taipei), and the Bangkok Art Biennale. His work will be featured in upcoming 2026 exhibitions at the Carpenter Center for the Visual Arts at Harvard University (Cambridge) and the University of Applied Arts Vienna. Recent group exhibitions include Aranya Art Center (Qinhuangdao), Kunsthal N (Copenhagen), Bortolami (New York), Tina Kim Gallery (New York), and Nova Contemporary (Bangkok).

His writing has appeared in Coffee House Press, Inpatient Press, and WONDER, with forthcoming work from Montez Press. His work is held in the collections of DIB Bangkok Museum and the Museum of Modern Art (MoMA) Library, and has been featured in Frieze, Artforum, Flash Art, ArtReview, and ArtAsiaPacific.

He was recently Artist-in-Residence at Bangkok Kunsthalle.

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